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Kind of Blue by Miles Davis

You found Kind of Blue by Miles Davis 

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Personnel: Miles Davis (trumpet); Julian "Cannonball" Adderley (alto saxophone); John Coltrane... Read more
Personnel: Miles Davis (trumpet); Julian "Cannonball" Adderley (alto saxophone); John Coltrane (tenor saxophone); Wynton Kelly, Bill Evans (piano); Paul Chambers (double bass); Jimmy Cobb (drums). Liner Note Authors: Robert Palmer; Nat Hentoff. Recording information: Columbia 30th Street Studios, New York, New York (03/02/1959 - 04/22/1959). With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz. Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sid... Minimize
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Warner Bros. Records (Record Label), October 17, 1990, UPC: 075992572729

Imported From France Lovely French Rose, Lavender & Green Tea Scent Large Vegetable Based Triple Milled Single Soap Bars Enriched With Shea Butter For... Read more at Amazon Marketplace
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Genius + Soul = Jazz/My Kind of Jazz Classical Read more at DeepDiscount.com
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Atlantic (USA), September 25, 1990, UPC: 075679048424

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Product Description

Personnel: Miles Davis (trumpet); Julian "Cannonball" Adderley (alto saxophone); John Coltrane (tenor saxophone); Wynton Kelly, Bill Evans (piano); Paul Chambers (double bass); Jimmy Cobb (drums). Liner Note Authors: Robert Palmer; Nat Hentoff. Recording information: Columbia 30th Street Studios, New York, New York (03/02/1959 - 04/22/1959). With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz. Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sid...

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